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ДИКСИЛЕНДЫ / Dixielands / mp3

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Stas Aleksandrov написал(а):

Вот еще один интересный коллектив, но я пока не могу нигде скачать их записи...может кто найдет

Tuba Skinny
где то есть в не разобранной папке. Аутентичные ребята, инересно играют.
но слушать нужно Американцев.
вот ссылка, хватит надолго впечатлений.
Louis Armstrong And the Dukes of Dixieland - The Complete 1959-1960 (BOX 3 cd's - 2007)
http://tubastas.narod.ru/music/LAdudixie.jpg

Ссылка
я до сих пор заслушиваюсь партией тубы...

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tubastas написал(а):

Диксиленд и Нью Орлеан стаил - это АЗБУКА джаза, остальные стили и направления - это уже синтез.
Кстати даже РОК и ПОП музыка, прежде всего обязана КЛАССИЧЕСКОМУ джазу.

Хорошо сказал, Стас! Полностью поддерживаю.

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Preservation Hall Jazz Band is the name for numerous groups of Dixieland Jazz and traditional jazz bands at Preservation Hall in New Orleans, Louisiana, and on tours as organized by the Preservation Hall. The purpose of the Hall has been to preserve the heritage of both New Orleans traditional and Dixieland jazz music born in New Orleans and common to the Riverboats plying the Mississippi River, which spread throughout the South until the early 20th century.
The musicians in the groups have varied during the years since the founding of the hall in the early 1960s.
Bands of the Preservation Hall Jazz Band perform at Preservation Hall on 726 St. Peter Street in the French Quarter, and tour around the world for more than 150 days a year.
Hurricane Katrina, however, forced Preservation Hall to close through the fall and winter of 2005. Although the building remained shut until April 2006, the band continued to tour while the Hall was closed.
Music groups performing at Preservation Hall predated the name "Preservation Hall Jazz Band". The late Allan Jaffe, a young tuba player who had taken over running the hall, organized tours for the musicians who often performed there, naming the band after the venue. He often played tuba in the Preservation Hall Jazz Band. His son, Ben Jaffe, a double bass player and tubist, now leads and performs with the band.
The band has been touring the United States for more than twenty-five years. They seek to preserve the distinctive music that evolved in New Orleans and to bring it to contemporary audiences.
Although similar music sometimes is described now as "Dixieland Jazz", there are distinct characteristics of traditional New Orleans jazz that are not shared among performances often bearing the "Dixieland" label. The latter often is considered as commercial exploitation and distortion of a pure tradition and, therefore, a strict differentiation between the two is made by admirers of what they recognize as "New Orleans Jazz". One may find the term used among traditional New Orleans musicians prior to the change in perception.
The band made a brief appearance in the 1965 film The Cincinnati Kid, including a close-up of pianist and vocalist Emma Barrett.
In 2006, the band was awarded the National Medal of Arts. In 2007, the band accepted an invitation to participate in Goin' Home: A Tribute to Fats Domino, contributing their version of "When The Saints Go Marching In", with Theresa Andersson. On July 19, 2011 Preservation Hall Jazz Band performed "I'll Fly Away" live on Late Show with David Letterman with Del McCoury Band.

Lucien Barbarin - trombone
Mark Braud - trumpet
Frank Demond - trombone
Charlie Gabriel - clarinet and saxophone
Ben Jaffe - bass & tuba
Leroy Jones - trumpet
Joseph Lastie, Jr - drums
Carl Le Blanc - banjo
Freddie Lonzo - trombone
Clint Maedgen - vocalist
Rickie Monie - piano
Walter Payton - bass player
Shannon Powell - drums
Mari Watanabe - piano

The Del McCoury Band is a bluegrass band. Originally Del McCoury and the Dixie Pals with Del on guitar and his brother Jerry on bass, the band went through a number of changes until the 1980s when the band solidified its line-up, adding McCoury's sons, Ronnie and Robbie on mandolin and banjo, respectively. In 1988, the "Dixie Pals" name was dropped in favor of the current name. Fiddler Tad Marks and bass player Mike Brantley joined in the early 1990s while the band became a national touring act. In 2004 they were nominated for the Grammy Award for Best Bluegrass Album for It's Just the Night, and in 2006 they won that category for The Company We Keep.
The band recorded with Steve Earle on his 1999 album The Mountain. The band has also often performed in recent years with The Lee Boys, with setlists mixing bluegrass, funk and gospel with extended jams on many songs.
The Travelin' McCourys are an offshoot of the Del McCoury Band, featuring all current (2009) members of the band minus Del, augmented by guitarist Cody Kilby on live performances. The Travelin' McCourys also often play joint concerts with The Lee Boys.

narod/link

http://s1.uploads.ru/t/7hUed.jpg
http://s1.uploads.ru/t/Fa6M8.jpg
http://s1.uploads.ru/t/hUmxZ.jpg

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http://s1.uploads.ru/t/tpIXl.jpg

Expectations can be high when you’re born into something; Ben Jaffe, of the Preservation Hall Jazz Band, should know this about as good as any. Born in 1971 to Sandra and Allan Jaffe, co-founders of Preservation Hall, Ben has lived a life submerged in the tradition of New Orleans jazz.

Being constantly surrounded by musicians since birth makes an arbitrary task out of dating Jaffe’s first intimate experience with an instrument, but his first formal endeavor as a musician came at age 7, when Jaffe joined the McDonogh 15 school band as a bass player. Much of Jaffe’s lasting inspiration for playing music developed during this period of his life with the help of his band director, the late sousaphonist, bassist, and educator Walter Payton. Shortly after the passing of Mr. Payton in 2010, Jaffe alluded to the immense influence that the legendary bassist had in his life, admitting that “he had a lasting impact on me. He instilled in me a respect for music.” [1]

The seeds planted by Ben’s parents, Walter Payton, and the surrounding members of the Preservation Hall Jazz band soon flourished as Jaffe continued his education as a musician. Jaffe spent his high school years at the New Orleans Center for Creative Arts (NOCCA), where he would later become a teacher, and then went onto Oberlin Conservatory College to achieve his undergraduate degree. Jaffe anxiously cemented his career as a musician the day after graduating from Oberlin when he stepped onto a plane bound for Paris, where he joined the rest of the Preservation Hall Jazz Band, currently on a world tour, as their primary bassist.

The ensuing ten years of Jaffe’s life served as an intermediate period; these were the careless glory days (if there ever were any) of his musical career. During this time Jaffe maintained the position of the Preservation Hall’s primary bassist. Gradually however, Jaffe began to address the power vacuum left at the Preservation Hall since his father’s death in 1987. The survival of the Preservation Hall as a legendary music institution became an unavoidable issue when Hurricane Katrina struck New Orleans in August of 2005.

At this point, Jaffe ironically surrendered his position as Preservation Hall’s touring bassist to his longtime mentor Walter Payton, and assumed a position as the Hall’s primary preservationist, working tirelessly to see the Hall thrive once again after the devastation of Hurricane Katrina. Jaffe’s efforts to do just this were spearheaded by the New Orleans Musicians Hurricane Relief Fund (NOMRF), an organization that seeks to help New Orleans musicians in need of help.

The work done by Ben Jaffe for Preservation Hall has undoubtedly surpassed even the high expectations inadvertently set before him at a young age. Now Jaffe, currently 40 years young, is doing more than ever to make sure that this legendary music hall, which seeks to preserve the tradition of New Orleans jazz music, receives some of the preserving necessary for its survival.

Today, Jaffe assumes the position of Creative Director at Preservation Hall, where he still plays the tuba, banjo, and upright bass. Jaffe has collaborated with countless world class musicians, the latest being with the Louisville, Kentucky band My Morning Jacket. In a documentary directed by Danny Clinch, entitled Louisiana Fairytale, the Preservation Hall Jazz Band shares a spotlight with Jim James and My Morning Jacket.

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Tom McDermott-New Orleans Duets (2003-2008) 146 МБ
http://s2.uploads.ru/t/ErdkA.jpg
narod/link

1. Irresistivel (Tom McDermott)
Evan Christopher. Among other things, Evan is the best choro clarinetist alive.

2. Tricks Ain't Walkin' No More (Lucille Bogan)
Jelly Roll Morton. "Tricks" in its original form is an a capella track from the Library of Congress sessions.

3. Just a Little While to Stay Here (Eugene Bartlett)
Connie Jones. Conrad is the favorite improviser of many people I know.

4. Opulence (Tom McDermott)
Aurora Nealand: The Belle of Frenchmen Street assists in birthing another bit of Frenchitude.

5. Blueberry Hill (Larry Stock/Al Vincent/Larry Rose)
Seguenon Kone. I butt heads rhythmically with my friend from the Ivory Coast to turn N.O. 6/8 into an African 12/8.

6. These Foolish Things (Holt Marvell, Jack Strachey, Harry Link) Judith Owen: The Welsh pianist/singer/ songwriter in a radiant take on a great old standard.

7. Some Satchmo Sampling (Armstrong, McDermott)
Louis Armstrong. "SSS" attempts to make something new out of the Great Man's 1920s recordings.

8. Cupid (Sam Cooke)
John Boutte. Our city's Singer of the Moment in an old standard with a new verse.

9. Manchega (Louis Moreau Gottschalk)
Michael Skinkus. Michael, my link to Musica Cubana, helps me reconsider Gottschalk here.

10. Leyla's Lullaby (Tom McDermott)
Helen Gillet. "Lullaby" is an archaic original performed by a very modern cellist.

11. Sportsmen's Paradise (Tom McDermott)
Anders Osborne: I am so impressed at this Swede's ability to nail such an American song.

12. The Stars and Stripes Forever (John Philip Sousa)
Matt Perrine: Does anybody in the world play sousaphone as well as this guy?

13. Our Love Rolls On (Dave Frishberg)
Topsy Chapman: A real pro, singing a piece by one of America's great songwriters.

14. The Isle of Orleans (Tim Laughlin)
Tim Laughlin. I've gigged more with Tim than any hornman, and still love hearing him.

15. One Chord Song (Tom McDermott/Harry Shearer)
Harry Shearer. The master satirist and I have some fun goofing around here.

16. Insouciance (Tom McDermott)
Richard Scott. Mr. Scott inspires me with both his accordion and piano playing.

17. I Don't Want Nuthin' for Christmas (Tom McDermott)
John Fohl. John is a rare combination of fine instrumentalist and fetching singer.

18. Conversa De Botequim (Noel Rosa)
Eduardo Tozzatto. Like so many Brazilians, Eduardo sings and drums beautifully.

19. That's What I Saw at the Mardi Gras (Tom McDermott)
Debbie Davis: One of my favorite wiseguys in a wry take on Carnival.

20. Dude Botley's Stomp (Tom McDermott)
Eric Traub. ET is the New Orleans saxman of choice for many.

21. To Kill Our Brothers Now (Tom McDermott)
Cindy Scott. The undersung Scott's "Major to Minor" is as good as any album cut by a local singer.

®©2003-2008, Word of Mouth and Piety Street Studios

Louis Armstrong * John Boutte * Topsy Chapman * Evan Christopher * Debbie Davis * John Fohl * Helen Gillet * Connie Jones * Seguenon Kone * Tim Laughlin * Jelly Roll Morton * Aurora Nealand * Anders Osborne * Judith Owen * Matt Perrine * Cindy * Richard Scott * Harry Shearer * Michael Skinkus * Eduardo Tozzatto * Eric Traub

Special thanks to:
Scott Billington
Mark Bingham
Nik Cohn
Mark Darnell
Mat Domber
Michael Goodwin
Sanford Hinderlie
David Torkanowsky
Bill Wilson

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